One for the instruments and one for the vocals. Where it will get tricky is knowing that one mixer will be dedicated to one set of musicians while the other to the other half. Using a 16 channel variant of the same mixer would allow you to create another 4 stereo mixes and you could keep all your FX. What about using a second mixer? Each mixer has its own set of outputs and mixes that you can arrange from.
What is the maximum amount of monitor sends that I can have using a X32? I Ideally want Quote from: Mitch Smith on October 14, 2018, 07:35:37 PM Hi, if this is already covered then I apologise and come someone please shoot me a link, but I'm really struggling to figure this out. The audio engineer controls the stage fills. The musicians control their own in-ear mixes and I don't want that to change. I have the hardware as I am using Behringer P1's but I don't think I have the desk space. So ideally, I want to make as many in-ears as possible stereo. Old stage fall monitors used to keep life on the stage. Old stage fall monitors used to keep life on the stage.īus 5 - Side of Stage fill (monitor). This is how my Buses are currently set up.īus 4 - Front of stage fill (monitor). What is the maximum amount of monitor sends that I can have using a X32? I Ideally wantĪt the moment I don't have the budget to purchases much so I'm just trying to figure out the absolute best outcome that I can achieve using my X32.
Hi, if this is already covered then I apologise and come someone please shoot me a link, but I'm really struggling to figure this out.
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